IB VISUAL ARTS 2024
EMily M
Curatorial Rationale
I wanted to explore concepts of feminism and the female experience in my art, and as I experimented with ideas and artforms, I refined my ideas further. The concept that guides my body of work, is the idea of female resistance, and its presence throughout history. These experiences of resistance can be social, physical and emotional, and involve women facing oppression, and fighting against it. I aimed to create works that shed light on the tragic and unfavoured aspects of womanhood in a sexist world, whilst simultaneously empowering women, by showcasing the longitudinal resistance generations of women have shown.
My exhibition is heavily inspired by Barbara Kreuger’s work, as I admire the way she uses photography, digital manipulation and text to portray feminist concepts. Another inspiration is portrait photographer Annie Leibovitz, whose detailed captures of the female experience I aimed to recreate in my own unique way.
Each artwork in the exhibition subverts gender stereotypes or narratives of previously silenced women, linking all pieces together in hopes to rewrite history or change the present, to acknowledge powerful female figures, and celebrate the strength in their resistance.
The exhibition has been displayed in two main sections, the past and the present. The past focuses on the representation of the female experience of resistance in storytelling and history, whilst the present incorporates modern day issues that unfortunately still need addressing. ‘Power in voices’ the protest photographs have been displayed horizontally, stretching across the full width of the exhibition, in order to portray the longevity of female resistance, from past to present, and an unbreakable, unifying fighting spirit. The protest or fight for equal rights continues despite progress and time, illustrating intergenerational strength and resistance. The exhibition begins with ‘Gaia’, which introduces the powerful female spirit, through the personified Greek goddess of mother earth. Progressing chronologically, ‘The Witch’ aims to reclaim the power of all misunderstood women accused of witchcraft and punished by horrific means during witch trials, shedding light onto their tragedies. This intaglio print also aims to highlight their resistance, by reaffirming the impact of their culture and lives in modern society, using the recognisable symbol of the tarot card. Domestic gender stereotypes perpetuated throughout history are ironically challenged in ‘Girl of your Dreams’, a photography series reflective of 1950s sexist advertisements and media. Transitioning into the present, ‘Briar Rose’ and ‘Medusa’ are series of 3 photographs that rewrite fairytales or mythologies depicting female oppression, through modern feminist lenses. The subversion of gender stereotypes and oppressive forces, allows the modern personas to reclaim their power and tell their own stories. Finally, ‘I choose the bear’ and ‘Inherited Silence’ address issues of domestic violence, sexual assault/harassment and femicide that are still prevalent today, by acknowledging the ongoing resistance of women around the world, and encouraging the need for drastic societal reform.
A consistent motif across all my works are female figures. Their dominant appearance mirrors the representation of women in the art world as ‘muses’, whose stories are written and created by men. However, my works subvert this stereotype, as not only are the female figures the subject, but also the creator of their stories. The women have a sense of self-agency and strength that allows them to express their truest selves and beliefs, overriding any adherence to the male gaze.
I chose to concentrate on photography as it offered the chance to capture real yet ephemeral moments. Portraiture allowed me to express clearly the emotions of my subjects and digital manipulation gave me the opportunity to create surrealist yet believable imagery. For example in ‘Medusa’ the digitally edited snakes weave their way through the woman’s hair.
I want the audience to feel a sense of empowerment as they view my exhibition. The resistance that female figures have shown in the face of adversity, combined with the strength to subvert or challenge norms and oppressors over time, enables women to reclaim their power, and acknowledge the tremendous positive change our society has already experienced. However, I also want the audience to feel confronted with the issues of sexism, so that they can reflect on the societal shift that still must take place in our world and be inspired to create these changes.
ARTWORK STATements
1. Gaia
Digitally manipulated photograph
20 x 30cm
The photograph embodies the spirit of Greek goddess Gaia, known to be the personification of mother nature, and the creator of all life on Earth. She rises from the Earth, her figure embodied by the nature, as a reminder of the divine connection to the land, and the regenerative ancestral force of motherhood. As no matter what the Earth goes through, there will always be life and regeneration after death, parallel to the experience of female resistance and womanhood.
2. The Witch
Intaglio print on paper
27cm x 21.5cm
This intaglio print is a testimony to all history’s women who were accused of witchcraft, and punished by death. The artwork depicts a woman being burnt at the stake, its shocking imagery, black and white hue and the surrounding dead nature inciting an eerie feel. The tragic scene is printed as a tarot card, a popular form of divination for witches, and is titled The Witch to suggest the reclamation of female power.
3. Briar Rose
Series of 3 Photographs
62cm x 82cm overall (45cm x 33cm, 30cm x 45cm, 30cm x 45cm)
This photography collection rewrites the traditional damsel in distress narrative of the fairytale Briar Rose. Her infamous and feminine pink dress poses stark contrasts against traditionally masculine elements, moreover subverting gender stereotypes, and reaffirming the separation of gender identity, clothing and expression.
4. Medusa
Series of 3 digitally edited photographs
50cm x 168cm overall (3 photos 50cm x 54cm)
Inspired by the Greek myth Medusa, this series retells her narrative in a contemporary context. Medusa has become an international symbol of female resistance regarding surviving sexual assault, often being chosen as a meaningful tattoo to remind survivors of their strength. This collection aims to display the embodiment of her persona by a survivor, through the symbolic green hue and serpentlike hair, expressing the empowering experience of reclaiming her life after loss.
5. Inherited silence
Series of 2 digitally manipulated photographs
25cm x 33cm overall (2 photos 25cm x 16)
The photographs depict a traditional happy family however the father’s face has been replaced with a bear mask. The bear face is symbolic of perpetrators of domestic violence and harassment and shows normal family men all around us. These inexcusable behaviours have been generationally learnt and will continue unless we hold perpetrators accountable and educate youth to speak up and break the cycle of abuse and silence.
6.Power in Voices
Series of 8 Photographs
21cm x 300cm overall (8 photos 21cm x 31cm)
Each photograph captures a moment of a women’s rights protest, edited in a black and white photo journalistic style, and containing an important red focal point. The red symbolises ongoing resistance to inequality while the protest environment emphasises global unity and its powerful fight for equality.
7. I Choose the Bear
Sculpture
25cm x 23cm x 16cm
This sculpture is inspired by feminist movement “I choose the bear”, which conveys the fear women feel daily in a world plagued by femicide and sexist violence. The movement asks would you rather be alone in the forest with a bear or a man you don’t know? Many pick the bear, because if a bear attacks them, no one will ask what they were wearing, or blame them. By choosing the bear, feminists align with a shared symbol of power, strength and resistance, embodied via the mask, to fight back.
8. Girl of your Dreams
Series of 3 Photographs
30cm x 75cm overall (3 photos 30cm x 21cm)
This photography trio has been crafted to ironically depict vintage 1950’s magazine covers, that promoted sexist ideologies and undermined the self-agency of housewives. The text mirrors this reductionist view of women throughout journalism’s history, while the photos behind aim to subvert the characteristics of an obedient housewife. The model cooks using a large animal skull, and wipes away blood, her chilling eye contact and sardonic smile creating a strong sense of discomfort within the viewer.